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The image below shows very different patterns of gendered language between two Shakespeare plays. In the opening section of Midsummer Night’s Dream, there’s an even spread of he and she, whereas in the corresponding section of Macbeth there are only occurrences of he.
The image below shows mentions of witch (red) and sleep (green) in Macbeth. This reflects thematic structuring within the play. First, witches are the prominent theme; then sleep; then witches and sleep are intermingled; at the end, there are a few scattered mentions of sleep. This pattern is easy to see in the representation below, but much more difficult to detect in the written or spoken play.
Similarly striking patterns are common across different authors and different types of text.